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Journal of popular music studies.
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ISSN: 15331598 15242226 Year: 1993 Publisher: [Philadelphia, PA] : [Hoboken] : Taylor & Francis Wiley-Blackwell

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O meu país é o que o mar não quer e outras peças
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ISBN: 9892616537 9892616529 Year: 2018 Publisher: Coimbra University Press

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Indigenous African popular music. : prophets and philosophers
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ISBN: 3030978842 3030978834 Year: 2022 Publisher: Cham, Switzerland : Palgrave Macmillan,

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Insulting music : a lexicon of insult in music
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ISBN: 9783031164668 Year: 2022 Publisher: Cham, Switzerland : Palgrave Macmillan,

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Populism and (pop) music
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ISBN: 303118579X 3031185781 Year: 2023 Publisher: Cham, Switzerland : Palgrave Macmillan,

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"This engaging and important book examines how political actors from Matteo Salvini to the Five Star Movement rely on common taste in music to generate feeling of national emotion. Researchers on populism should read this careful and fast paced analysis and learn that music is constitutive of politics that moves the people.” —Mabel Berezin, Distinguished Professor of Sociology and Director of the Institute for European Studies, Cornell University “This deeply researched and endlessly fascinating book tells of the complex relationship between populism and popular music in Italy. But it does more than this. It reveals how – in general – we might understand better the role of music in politics, and the role of politics in music.” —John Street, University of East Anglia This book launches a proposal: to fill some empirical and theoretical gaps that presently exists in populism studies by looking at the potential nexus between populist phenomena and popular culture. It provides a detailed account of the multiple mechanisms linking the production of pop music (as a form of popular culture) to the rise and reproduction of populism. The authors use a case study of Italy to interrogate these mechanisms because of its long-lasting populist phenomena and the contextual importance of pop music. The book’s mixed-methods strategy assesses three different aspects of the potential relationship between pop music and populist politics: the cultural opportunity structure generated and reproduced by the production of music, the strategies political actors use to exploit music for political purposes, and, crucially, the ways fans and ordinary citizens understand the relationship between pop music and politics, and subsequent debates and identities. Moving from the case study, the book in its last chapter offers a more general understanding of the associations between pop music and populism. Manuela Caiani is Associate Professor in Political Science at the Scuola Normale Superiore of Pisa, Italy. Enrico Padoan is a postdoctoral researcher at the Department of Social, Political and Cognitive Sciences (DISPOC) of the University of Siena, Italy.


Book
Musical gentrification : popular music, distinction and social mobility
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ISBN: 042932507X 1000174700 0367343355 0367535599 Year: 2021 Publisher: London ; New York, New York : Routledge,

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Popular Music in Southeast Asia
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ISBN: 9048534550 9462984034 Year: 2017 Publisher: Amsterdam University Press

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From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.


Book
Bytes and backbeats : repurposing music in the digital age
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ISBN: 1283334364 9786613334367 0472027735 0472901184 0472117858 Year: 2011 Publisher: Ann Arbor, Mich. : University of Michigan Press,

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"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket.


Book
Politiques des musiques populaires au XXIe siècle
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ISBN: 291316952X 2913169392 Year: 2019 Publisher: Guichen : Éditions Mélanie Seteun,

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Après les utopies fanées de la contre-culture et après les slogans brûlés des années punk, de quoi sont capables politiquement les musiques populaires au xxie siècle ? À rebours d'une pensée pessimiste ou nostalgique, cet ouvrage collectif entend démontrer la pertinence militante de ces musiques aujourd'hui, sans pour autant embrasser naïvement une tradition qui ne les considérerait que sous le jour glorieux de leur affiliation à de grands mouvements politiques. Les scènes musicales du xxie siècle déploient des pratiques organisationnelles et des répertoires tactiques originaux, capables de donner un souffle particulier à l'action politique. Les innombrables collaborations et médiations qui président à leur production et à leur réception, la malléabilité de leurs formes - et même l'opprobre dont elles peuvent encore être frappées - sont le terreau d'une praxis à la fois culturelle, sociale et affective. Les huit études de cas internationales rassemblées ici traitent, à partir d'horizons scientifiques divers, de différentes formes de mobilisation politique autour ou à l'aide des musiques populaires, en Europe, aux États-Unis, au Japon et en Iran : luttes syndicales de musiciens, organisation et politisation de scènes musicales locales dans un environnement globalisé, mobilisations sur le long terme et à l'occasion de mouvements sociaux. Penser les politiques des musiques populaires, c'est reconnaître d'abord la puissance des activités souterraines d'association et de partage qu'elles nourrissent, pour mettre au jour les chemins d'émancipation qui mènent de l'activité populaire ordinaire à l'engagement politique militant.


Book
Sounding Like a No-No : Queer Sounds and Eccentric Acts in the Post-Soul Era
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ISBN: 1283941643 047202891X 9780472028917 9780472071791 0472071793 9780472051793 0472051792 0472904159 Year: 2013 Publisher: Ann Arbor : University of Michigan Press,

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This book traces a rebellious spirit in post-civil rights Black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, Black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the Black community, and to make space for new futures for their listeners. The book's perspective on music as a form of Black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and Black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.

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